Read this excerpt from The Riddle of the Rosetta Stone by James Cross Giblin.

Only those Egyptians who needed the knowledge for their professions learned how to read and write. These included government officials, doctors, and priests, as well as the scribes who did the actual writing on papyrus and stone.

After reading this excerpt, readers can infer that help me plz!

professional writers in ancient Egypt were highly skilled and had experience writing

Answer:

A. Professional writers in ancient Egypt were highly skilled.

Explanation:

Got it right on edge

What is genies attitude about breakfast

How does an author organize text?

Drag each label to the correct location.
Match each trait to the correct type of poem

The pharaohs had a canal bulit connecting the Nile to the sea to the red sea opening up trade routes to arabia.

True or false

Mood is the feeling that the ______________ gets from a piece or passage.

What characteristics of a ballad does Edward Edward follow?

4. When Romeo meets Juliet at the Capulet party, what part of the plot are
we in?
Rising Action
Falling Action
Introduction
Resolution
Climax

In the passage, what causes the conflict between Mesd and the police car?

the word that best describes rainsford is

A basketball team played 35 games last year. The team won 80% of their games. Of the team’s wins, 14 went into overtime. How many of the basketball team’s wins went into overtime?

In which type of poem is the speaker more likely to be same as the poet? Hint: It's not A or C.

A. narrative
B. epic
C. ballad
D. lyric

The sentence "This is a military city, a world of soldiers" is what type of sentence?
A) simple
B) Complex
C) Compound
D) Complex compound

Tells who or what receives the action of the verb

how has Genies feelings about Grandpop changed since the beginning of the story
I need help

Where would you normally find the main idea of a nonfiction text?

search "CHOOT" on goôgle and see in images​

1.It is a voice of the verb wherein the subject is the receiver of the action.
a. Active voice
b. passive voice
c. all of the above
d. none of the above

2. It is a voice of the verb wherein the subject is the doer of the action.
a. active voice
b. passive voice
c. all of the above
d. none of the above


3. If the doer of the action is unknown ,you will use this voice of the verb.
a.active voice
b.passive voice
c.all of the above
d.none of the above


4. In this voice of the verb, the preposition by is usually used .
a.active voice
b.passive voice
c.all of the above
d.none of the above











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Can someone help me start a story about what ever animals or something in I will continued it

ASAP I NED A ANSWER What is a topic?

a list of ideas for a research report
an essential question for a report
the research conducted for a report
the general subject of a research report

Which excerpt best develops the theme that it is important to be surrounded by people you love when you get older?

Why has Shakespeare focused on Lorenzo and Jessica, Portia and
Bassanio, and Nerissa and Gratiano in the final scene?

What are two examples of Biomechanics? explain your answer.

came down with a cold
in a compound sentence ​

please tell fast it is my paper
plzzzzzzzz​

What underlying idea is stressed in all four tips in the section “Surviving Cliques”?

a Look out for others.

b Act friendly to all.

c Do not be a bully.

d Be true to yourself.

In the epic poem The Odyssey, the great warrior Odysseus attempts to
travel home after the Trojan War. On his way, the god Poseidon blows
him off course, and he spends the next 10 years attempting to get
home.
Which common motif from mythology is most clearly shown in the story?
A. Physical transformation
B. The hero's journey
C. The dangers of arrogance
O D. Explanations of nature

(ELA) What was the original purpose of myths?

A. to show children what happens when they misbehave

B. to explain how the world got to be the way it is

C. to teach the next generation about science

D. all of these purposes

The author walked into the safe by mistake. True False

When I go into a bank I get rattled. The clerks rattle me; the wickets rattle me; the sight of the money rattles me; everything rattles me. The moment I cross the threshold of a bank and attempt to transact business there, I become an irresponsible idiot. I knew this beforehand, but my salary had been raised to fifty dollars a month and I felt that the bank was the only place for it.

So I shambled in and looked timidly around at the clerks. I hadan idea that a person about to open an account must needs consult the manager. I went up to a wicket marked "Accountant." The accountant was a tall, cool [scoundrel]. The very sight of him rattled me. My voice was sepulchral.

"Can I see the manager?" I said, and added solemnly, "alone." I don't know why I said "alone."

"Certainly," said the accountant, and fetched him.

The manager was a grave, calm man. I held my fifty-six dollars clutched in a crumpled ball in my pocket.

"Are you the manager?" I said. . . . I didn't doubt it.

"Yes," he said.

"Can I see you," I asked, "alone?" I didn't want to say "alone" again, but without it the thing seemed self-evident.

The manager looked at me in some alarm. He felt that I had an awful secret to reveal.

Come in here," he said, and led the way to a private room. He turned the key in the lock.

"We are safe from interruption here," he said; "sit down."

We both sat down and looked at each other. I found no voice to speak.

"You are one of Pinkerton's men, I presume," he said.

He had gathered from my mysterious manner that I was a detective. I knew what he was thinking, and it made me worse.

"No, not from Pinkerton's," I said, seeming to imply that I came from a rival agency. "To tell the truth," I went on, as if I had been prompted to lie about it, "I am not a detective at all. I have come to open an account. I intend to keep all my money in this bank."

The manager looked relieved but still serious; he concluded now that I was a son of Baron Rothschild or a young Gould.

"A large account, I suppose," he said.

"Fairly large," I whispered. "I propose to deposit fifty-six dollars now and fifty dollars a month regularly."

The manager got up and opened the door. He called to the accountant.

"Mr. Montgomery," he said unkindly loud, "this gentleman is opening an account; he will deposit fifty-six dollars. Good morning."

I rose. A big iron door stood open at the side of the room.

"Good morning," I said, and stepped into the safe.

"Come out," said the manager coldly, and showed me the other way.

I went up to the accountant's wicket and poked the ball of money at him with a quick convulsive movement as if I were doing a conjuring trick.

My face was ghastly pale.

"Here," I said, "deposit it." The tone of the words seemed to mean, "Let us do this painful thing while the fit is on us."

He took the money and gave it to another clerk. He made me write the sum on a slip and sign my name in a book. I no longer knew what I was doing. The bank swam before my eyes.

"Is it deposited?" I asked in a hollow, vibrating voice.

"It is," said the accountant.

"Then I want to draw a cheque."



My idea was to draw out six dollars of it for present use. Someone gave me a chequebook through a wicket, and someone else began telling me how to write it out. The people in the bank had the impression that I was an invalid millionaire. I wrote something on the check and thrust it in at the clerk. He looked at it.

"What! are you drawing it all out again?" he asked in surprise.

Then I realized that I had written fifty-six instead of six. I was too far gone to reason now. I had a feeling that it was impossible to explain the thing. All the clerks had stopped writing to look at me.

Reckless with misery, I made a plunge.

"Yes, the whole thing."

"You withdraw your money from the bank?"

"Every cent of it."

"Are you not going to deposit any more?" said the clerk, astonished.

"Never."

An idiot hope struck me that they might think something had insulted me while I was writing the cheque and that I had changed my mind. I made a wretched attempt to look like a man with a fearfully quick temper.

The clerk prepared to pay the money.

"How will you have it?" he said.

"What?"

"How will you have it?"

"Oh" —I caught his meaning and answered without even trying to think— "in fifties."

He gave me a fifty-dollar bill.

"And the six?" he asked dryly.

"In sixes," I said.

He gave it to me and I rushed out. As the big door swung behind me, I caught the echo of a roar of laughter that went up to the ceiling of the bank. Since then I bank no more. I keep my money in cash in my trousers pocket and my savings in silver dollars in a sock.
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( need this done ASAP, worth 20 points!! ) Read the excerpt from Matilda by Roald Dahl. "What about something much harder, like two times four hundred and eighty-seven? Could you tell me that?" "I think so, yes," Matilda said. "Are you sure?" "Why yes, Miss Honey, I'm fairly sure." "What is it then, two times four hundred and eighty-seven?"
Which statement is best supported by the dialogue?
- Matilda is very good at multiplication, but she does not know how to divide.
- Miss Honey desperately wants Matilda to get a wrong answer.
- Miss Honey is stunned by Matilda’s ability to multiply high numbers.
- Matilda wants to impress Miss Honey with her multiplication skills.

1. Which of the following is a telling detail that BEST reveals the negative
impact humans have on the environment?
The dimmed lighting
O The pavement
O The trash in the fish's stomach
O The deceased fish