please help i’ll give brainliest if you give a correct answer tysm :))

Answer:D

Explanation:

Simile uses like it as and it is obvious

Answer:

Its B. because she is struggling to carry groceries so she is waddling "like" a penguin. but her feet are not shaped like a penguin. Lol

2. When does the novel open? A. a week before Christmas B. two days before Christmas C. Christmas Eve D. Christmas Day

Marley came to Scrooge's home because he was on a mission. He went to great trouble to arrange this visit with his old partner because: a He hadn't been honest with Scrooge about the business they shared. b All ghosts come back to haunt the people they knew when they were alive. c He learned his lesson too late and wanted to save Scrooge from an afterlife of misery. d He yearned to visit with him one more time.

What is formal or informal language? (Group Discussion Project Question)

Look at the visual text feature too big to text feature would most likely help the reader to identify parts of the body described in the text understand how the body parts got there names visualize a patient describes it as the text describe events that take place in the text

QUICK ! MANY POINTS !! EASY!
- complete the sentence by putting one word in the provided space.

• These days , there is a great deal __________ pressure to be slim and to reduce the amount of fat in our diet .

What type of verb is “sang” in the following sentence
Over by the window merry sang with her mom
A.helping verb
B.linking verb
C.action verb

Which of the following sentences contains an example of parallelism? a. Romeo falls in love, marries Juliet, kills Tybalt, and poisons himself. b. The ending of the play implies that in the future, the two families will be friends. c. Romeo and Paris both love Juliet, but each reacts in his own way to her supposed death. d. Friar Lawrence cannot control events, and the Nurse is equally incapable of helping the lovers.

Read the excerpt from a New York Times review written about the play entitled A Man's World.

Well, for one thing, as per the caption of Miss Rachel Crothers’s play, that this is a man’s world. But what is isn’t necessarily right, though there are a lot of people who go on believing so. However, as Miss Crothers probably knows as well as any one, this play and many others equally strong and to the point will not change conditions.

Which statement best describes this excerpt?
It contains facts about whether or not A Man’s World will impact social norms.
It contains facts about how A Man’s World will impact viewers.
It contains the opinion of a person who saw A Man’s World.
It contains the opinion of the person who wrote A Man’s World.

“Woman's degradation is in man's idea of his sexual rights. Our religion, laws, customs, are all founded on the belief that woman was made for man.”

Explanation :

Write an objective summary of the excerpt from Romeo and Juliet in one paragraph.

Which revision improves the flow of the paragraph?
Read the body paragraph from an essay.
"Lords who owned land in Japan certainly had armies.
These professional soldiers fought when they were
called on. There were also farmers whom lords could
call on for help when needed."
"Lords who owned land in Japan certainly had
armies. These professional soldiers fought when they
were called on. However, lords also had farmers
whom they could call on for help when needed."
O "However, lords who owned land in Japan certainly
had armies. These professional soldiers fought when
they were called on. Lords also had farmers whom
they could call on for help when needed."
O "Lords who owned land in Japan certainly had
armies. However, these professional soldiers fought
when they were called on. Lords also had farmers
whom they could call on for help when needed."
"Lords who owned land in Japan certainly had
armies. These professional soldiers, however, fought
when they were called on. Lords also had farmers
whom they could call on for help when needed."

Word Wednesday ( post a word y’all think is weird)
For example I think class is a weird word

However, heavy the burden may be, you cannot ______ your responsibilities as the head of this household.
(a). alienate
(b). acclimate
(c). abdicate
(d). abets
(e). abhor​

What does the speaker suggest in line 17: “Thanks to, because, and yet, in spite of”?

What does this phrase mean? : "sank into an aqueous sleep"

boy help a sister out

What is the headline?
A. The title of the article
B. The opposite of the footline
C. The conclusion
D. The introduction

bleh bleh blah
hi wolfpack for the people that are awake like me

PLEASE HELP ME!!!!! Positive thing in 2020?

Select all of the statements that use parallel structure:

Mafus is writing an essay on exercise and nutrition. He creates a list of topics and narrows his list down to a specific three. He then adds more specific details for each of the three. What should Mafus do next?

just type some thing random

Why does Gladwell provide a list of colleges of Nobel laureates in Chemistry? * To disprove the "threshold effect" To disprove the "10,000" rule To provide evidence for the "10,000" hour rule To illustrate the "threshold effect"

Which elements make up the structure of a speech presenting an argument?

what are the two topics that got interest

I need this answer to pass someone pls answer this!!

You can easily see the difference between the way they deal with Margot and the way they deal with me. For example, Margot broke the vacuum cleaner, and because of that we've been without light for the rest of the day. Mother said, “Well, Margot, it’s easy to see you’re not used to working; otherwise, you’d have known better than to yank the plug out by the cord.” Margot made some reply, and that was the end of the story. —The Diary of a Young Girl, Anne Frank Read the diary entries and use the drop-down menus to answer the questions. How does Mother’s reaction to Margot’s mistake sound? How would Anne describe her mother’s treatment of her as compared to her treatment of Margot?

if anyone knows please help me ​

Even without the appropriate toys and clothes, lessons in the art of being feminine lay all around me and I absorbed them all; the fairy tales that were read to me at night, the brightly colored advertisements I pored over in magazines before I learned to decipher the words, the movies I saw, the comic books I hoarded, the radio soap operas I happily followed whenever I had to stay in bed with a cold. I loved being a little girl, or rather I loved being a fairy princess, for that was who I thought I was.

As I passed through a stormy adolescence to a stormy maturity, femininity increasingly became an exasperation, a brilliant subtle esthetic that was bafflingly inconsistent at the same time that it was minutely, demandingly concrete, a rigid code of appearance and behavior defined by do’s and don’t-do’s that went against my rebellious grain. Femininity was a challenge thrown down to the female sex, a challenge no proud, self-respecting young woman could afford to ignore, particularly one with enormous ambition that she nursed in secret, alternately feeding or starving its inchoate life in tremendous confusion.

“Don’t lose your femininity” and “Isn’t it remarkable how she manages to retain her femininity?” had terrifying implications. They spoke of a bottom-line failure so irreversible that nothing else mattered. The pinball machine was registered “tilt,” the game had been called. Disqualification was marked on the forehead of a woman whose femininity was lost. No records would be entered in her name, for she had destroyed her birthright in her wretched, ungainly effort to imitate a man. She walked in limbo, this hapless creature, and it occurred to me that one day I might see her when I looked in the mirror. If the danger was so palpable that warning notices were freely posted, wasn’t it possible that the small bundle of resentments I carried around in secret might spill out and place the mark on my own forehead? Whatever quarrels with femininity I had I kept to myself; whatever handicaps femininity imposed, they were mine to deal with alone, for there was no women’s movement to ask the tough questions, or so brazenly disregard the rules.

Femininity, in essence, is a romantic sentiment, a nostalgic tradition of imposed limitations. Even as it hurries forward in the 1980s, putting on lipstick and high heels to appear well dressed, it trips on the ruffled petticoats and hoopskirts of an era gone by. Invariably and necessarily, femininity is something that women had more of in the past, not only in the historic past of prior generations, but in each woman’s personal past as well—in the virginal innocence that is replaced by knowledge, in the dewy cheek that is coarsened by age, in the “inherent nature” that a woman seems to misplace so forgetfully whenever she steps out of bounds. Why should this be so? The XX chromosomal message has not been scrambled, the estrogen-dominated hormonal balance is generally as biology intended, the reproductive organs, whatever use one has made of them, are usually in place, the breasts of whatever size are most often where they should be. But clearly, biological femaleness is not enough.

Femininity always demands more. It must constantly reassure its audience by a willing demonstration of difference, even when one does not exist in nature, or it must seize and embrace a natural variation and compose a rhapsodic symphony upon the notes. Suppose one doesn’t care to, has other things on her mind, is clumsy or tone-deaf despite the best instruction and training? To fail at the feminine difference is to appear not to care about men, and to risk the loss of their attention and approval. To be insufficiently feminine is viewed as a failure in core sexual identity, or as a failure to care sufficiently about oneself, for a woman found wanting will be appraised (and will appraise herself) as mannish or neutered or simply unattractive, as men have defined these terms.

We are talking, admittedly, about an exquisite esthetic. Enormous pleasure can be extracted from feminine pursuits as a creative outlet or purely as relaxation; indeed, indulgence for the sake of fun, or art, or attention, is among femininity’s great joys. But the chief attraction (and the central paradox, as well) is the competitive edge that femininity seems to promise in the unending struggle to survive, and perhaps to triumph.

In the first two paragraphs, the author describes experiences from her girlhood and early adulthood primarily to


A. Show that attitudes toward femininity can change over time

B. Imply that uncritically embracing femininity is immature

C. Argue that the strictures of femininity are less severe for young girls

D. Foreground the comforting aspects of adhering to feminine ideals

E. Introduce two different attitudes toward femininity

Refer to the passage “Jane Addams: A Heroine of the Progressive Movement” by Lindsay Rock.

Defend the author’s claim that Jane Addams was a social reformer. Include at least three examples from the passage. 100 POINTS! PLEASE!