The given statement-''Josquin's career centered exclusively in his native France'' is False because Josquin des Prez, commonly known as Josquin, was a renowned Renaissance composer who was born in what is now Belgium.
While he did spend a significant portion of his career in France, particularly in the service of the French court and various French nobles, his career was not exclusively centered in France.
Josquin also traveled and worked in Italy, where he held important positions in various cities such as Milan, Rome, and Ferrara. He had a highly influential and international career, composing music for patrons and institutions across Europe
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in the movie that was scored by john williams called memoirs of a geisha, this marked the only time that williams had to plead to do a movie score because he liked the story so much.
T/F
False. There is no evidence to suggest that John Williams had to plead to score the movie "Memoirs of a Geisha." He was hired as the composer due to his talent and reputation.
John Williams did not score the film "Memoirs of a Geisha." The score for that film was composed by John Williams' frequent collaborator, Yo-Yo Ma. John Williams is known for his work on numerous other films, such as the Star Wars series, Indiana Jones series, and Jurassic Park, but he was not involved in scoring "Memoirs of a Geisha." There is no proof that John Williams had to beg for the opportunity to soundtrack "Memoirs of a Geisha." He was selected as the composer because of his skill and standing.
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what was the first successful long running american musical
The first successful long running American musical was "Oklahoma!" which premiered on Broadway in 1943.
This musical was created by Richard Rodgers and Oscar Hammerstein II, who went on to collaborate on several other successful musicals such as "South Pacific" and "The Sound of Music." "Oklahoma!" revolutionized the musical theatre scene with its integration of music, dance, and storyline.
The musical tells the story of a love triangle set in the Oklahoma territory in the early 1900s, and features classic songs such as "Oh, What a Beautiful Mornin'" and "The Surrey with the Fringe on Top." "Oklahoma!" ran for over 2,200 performances and spawned several successful revivals and adaptations. It set the standard for the modern American musical and is still celebrated as a classic example of the genre today.
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chris marker made films as part of a subset of the french new wave (whose filmmakers approached film as an extension of their interest in the traditional arts) called:
Chris Marker made films as part of a subset of the French New Wave called the Left Bank, whose filmmakers approached film as an extension of their interest in the traditional arts. Marker's passion for philosophical and artistic themes was a major influence on his films.
As a member of the Left Bank, a branch of the French New Wave, Chris Marker produced films. With a great desire for intellectual and creative investigation, this group of filmmakers regarded film as a continuation of their interest in traditional arts. The development of cinema and the art form as a whole were significantly influenced by their work.
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Stravinsky's second phase is generally known as ______.
a. primitive
b. neoclassical
c. serial
d. postromantic
Stravinsky's second phase is generally known as b. neoclassical. Stravinsky's neoclassical period marked a significant shift in his compositional style. After his earlier "primitive" period, which included works such as "The Rite of Spring" and "The Firebird," Stravinsky transitioned to a more traditional and structured approach during the 1920s.
The neoclassical phase is characterized by a return to classical forms and influences, particularly from the Baroque and Classical periods. This phase is marked by a clear and concise structure, with an emphasis on harmony and melody, as opposed to the rhythmic complexity of his earlier works.
Some of the most prominent works from Stravinsky's neoclassical period include the ballet "Pulcinella," the opera "The Rake's Progress," and the Symphony in C. These compositions showcase Stravinsky's mastery of traditional forms and techniques, while still maintaining his distinct musical voice.
Overall, Stravinsky's neoclassical phase is an important part of his compositional development, as it represents a shift in his artistic focus and a return to classical roots. This period allowed him to explore different styles and techniques while continuing to innovate and influence the music world.
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medieval europeans were the first to develop all except which of the following musical innovations? group of answer choices polyphony musical notation the motet tympanum
Medieval Europeans were the first to develop musical notation, polyphony, and the motet. The development of the tympanum, however, cannot be attributed to medieval Europeans as it refers to a decorative architectural element found in various cultures and time periods.
Polyphony is a significant musical innovation that emerged during the medieval period in Europe. It refers to the simultaneous combination of multiple independent melodies or voices, creating intricate harmonies and textures.
This departure from monophonic music, where a single melodic line dominates, allowed for a more complex and expressive musical form. Polyphony laid the foundation for Western classical music and influenced the development of various musical genres and styles.
Its exploration and refinement by medieval European composers paved the way for future generations of musicians to explore the rich possibilities of harmonic interplay and musical expression.
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the art of composing printed material from letterforms is called:
The art of composing printed material from letterforms is called typography. Typography is the practice and study of arranging typefaces and visual elements
It represents in a way that enhances readability, legibility, and overall aesthetic appeal. It involves the selection, arrangement, and design of letterforms, including the choice of fonts, sizes, spacing, and alignment. Typography plays a crucial role in visual communication, as it helps convey meaning, hierarchy, and style in printed materials such as books, magazines, posters, and advertisements. Skilled typographers understand the principles of typography and use their knowledge to create visually pleasing and effective compositions that convey messages with clarity and impact.
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Comic Student Sample
© 2008 FLVS
sketched eyesAssignment:
Print the Comic Strip Cells page.
Create a comic using every cell.
Use as many elements and principles of design you can to create unity. This needs to include color.
In the sketched eyes assignment, you will print the Comic Strip Cells page and create a comic strip using every cell. Focus on incorporating a variety of elements and principles of design, including color, to achieve unity and visual appeal in your comic.
Here are the steps for the sketched eyes assignment:
1. Print the Comic Strip Cells page: Start by printing the Comic Strip Cells page provided for the assignment. Ensure you have a physical copy of the page with all the empty cells.
2. Plan your comic: Take some time to brainstorm and plan out your comic strip. Consider the storyline, characters, and dialogue you want to portray in each cell. Think about how you can utilize various elements and principles of design to create a sense of unity and visual coherence throughout your comic.
3. Create rough sketches: Begin sketching your comic strip by making rough outlines and basic shapes in each cell. Focus on capturing the composition and layout of your comic strip. Use pencil to make the initial sketches so you can make adjustments and modifications later.
4. Incorporate elements of design: As you refine your sketches, start incorporating different elements of design to enhance your comic strip. Experiment with lines, shapes, colors, textures, and spacing to create visually appealing and cohesive artwork.
a. Lines: Use different types of lines, such as curved, straight, thick, or thin, to define the outlines and details of your characters and objects.
b. Shapes: Utilize various shapes to give form and structure to your characters and elements within each cell.
c. Colors: Choose a color palette that suits the mood and theme of your comic strip. Apply colors strategically to convey emotions, highlight key elements, and create harmony throughout the entire strip.
d. Textures: Add textures to your artwork to give depth and visual interest. Explore shading techniques or use patterns to create texture in different parts of your comic.
5. Refine your sketches: Once you are satisfied with the rough sketches, refine them by adding more details, refining proportions, and cleaning up the lines. Pay attention to maintaining consistency and coherence between the cells.
6. Add color: After finalizing the pencil sketches, start adding color to your comic strip. Use markers, colored pencils, watercolors, or any other preferred coloring tools to bring your comic to life. Apply the chosen color scheme consistently across all cells to ensure unity and visual flow.
7. Review and revise: Take a step back and review your comic strip as a whole. Evaluate the unity of the design elements and principles you've incorporated. Make any necessary revisions or adjustments to improve the overall composition and visual impact.
8. Complete the comic strip: Once you are satisfied with the final result, ink or finalize your colored illustrations. Remove any remaining pencil lines and ensure that the images are clean and polished.
9. Present your comic strip: Showcase or submit your completed comic strip for evaluation or sharing. Consider sharing it digitally or printing it out for a physical presentation.
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T/F baroque music often features a steady, vigorous beat throughout.
True. Baroque music is a style of music that was popular during the 1600s and 1700s. It is characterized by its use of complex harmonies, elaborate ornamentation, and a strong, steady beat.
This steady beat is often provided by a steady pulse of a basso continuo, or a repeating pattern of chords played by a keyboard instrument, such as a harpsichord or organ.
This strong, steady beat is often played throughout the entire piece of music, providing an exciting and energetic backdrop for the intricate melodies and harmonies. Baroque music was used for both sacred and secular purposes, and was an important influence on the development of classical and romantic music.
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how does wagner’s music suspend the listener’s expectations?
Wagner's music suspends the listener's expectations through harmonic ambiguity, delayed resolutions, chromaticism, leitmotifs, dramatic pacing, and innovative orchestration.
Richard Wagner's music is known for its ability to suspend the listener's expectations through various compositional techniques and dramatic devices. Here's a more comprehensive explanation of how Wagner achieves this effect:
1. Harmonic Ambiguity: Wagner often employs complex and unconventional harmonic progressions, blurring the boundaries between different tonal centers. This harmonic ambiguity creates a sense of tension and uncertainty, keeping the listener engaged and unsure of where the music will resolve.
2. Extended Phrases and Delayed Resolutions: Wagner's compositions feature long, expansive phrases that prolong musical ideas and delay their resolutions. By stretching out melodic lines and postponing cadences, he heightens the sense of anticipation and defies traditional expectations of rhythmic and structural regularity.
3. Chromaticism and Dissonance: Wagner incorporates rich chromaticism and dissonant harmonies into his music. These dissonances create a sense of restlessness and unpredictability, challenging conventional tonal expectations and creating an atmosphere of suspense.
4. Leitmotifs and Associative Meaning: Wagner's use of leitmotifs, recurring musical themes associated with specific characters, objects, or ideas, contributes to the suspension of expectations. The leitmotifs can be transformed and combined in various ways, creating complex networks of musical connections that defy linear narrative development.
5. Dramatic Pacing and Narrative Structure: Wagner's operas are known for their epic scale and intricate narratives. He manipulates the dramatic pacing, alternating between moments of intense action and extended periods of reflection or anticipation. This dynamic narrative structure keeps the audience engaged and uncertain about what will happen next.
6. Innovative Orchestration: Wagner revolutionized orchestration, using the full capabilities of the orchestra to create unique timbres and textures. His use of instrumental colors and innovative techniques, such as the "Wagner tuba" and the "Tristan chord," adds to the sense of musical surprise and suspension of expectations.
Through these and other compositional techniques, Wagner's music challenges traditional conventions, pushes the boundaries of tonality, and keeps the listener captivated by creating a sense of anticipation, tension, and unpredictability. The result is an immersive and transformative musical experience that suspends the listener's expectations and engages them on a deep emotional and psychological level.
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who is responsible for recording and monitoring audio during a film production?
Answer: Sound Mixer
Explanation: he is usually responsible for recording and monitoring audio * even his name says it so it was pretty obvious*
In a film production, the person responsible for recording and monitoring audio is typically the sound mixer or sound recordist. This individual is responsible for capturing all sound on set, including dialogue, sound effects, and ambient noise, using microphones and other audio equipment.
They also monitor the sound during filming to ensure that the levels are consistent and that there are no technical issues or disruptions that could affect the quality of the audio. The sound mixer works closely with the director, cinematographer, and other members of the crew to ensure that the sound complements the visuals and helps to tell the story effectively. They are an essential member of the film production team and play a crucial role in bringing the film to life.
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in classical hollywood cinema, editing is supported by specific strategies of cinematography and mise-en-scene in order to ensure narrative continuity; and to ultimately serve the story.
In classical Hollywood cinema, editing is indeed supported by specific strategies of cinematography and mise-en-scene to ensure narrative continuity and ultimately serve the story.
Cinematography involves camera techniques, lighting, and framing, which contribute to the visual aspects of a film. Mise-en-scene refers to the arrangement of elements within a scene, including actors, props, and settings.
Together, these elements work to create a seamless flow of action and maintain continuity, which is essential for a coherent narrative in Hollywood films. This is achieved through techniques such as shot-reverse-shot, the 180-degree rule, and match cuts, which help to establish spatial relationships between characters and their environments. These techniques support the editing process and ensure that the film's story is effectively conveyed to the audience.
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In this style of filmmaking, often used by Alfred Hitchcock, the camera does not appear to follow the action, but instead anticipates the action on screen. "Objects and actors are visually blocked out within the confines of a predetermined camera setup …suggesting fatality or determinism"
This style of filmmaking is often called "subjective camera" or "psychological camera" and is characterized by the use of a fixed camera position that anticipates the action on screen.
This technique creates a sense of claustrophobia or unease, as the viewer feels as if they are trapped within the confines of the camera's perspective. Objects and actors are often framed in such a way that they block the viewer's view of other elements in the scene, creating a sense of visual obstruction and reinforcing the theme of determinism or fatality. This style of filmmaking was famously used by Alfred Hitchcock in many of his films, including "Rear Window" and "Vertigo."
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Who is the author of Ranger in Time: Rescue on the Oregon Trail?
The author of the book "Ranger in Time: Rescue on the Oregon Trail" is Kate Messner.
Kate Messner is a renowned author known for her works in children's literature. "Ranger in Time: Rescue on the Oregon Trail" is part of the "Ranger in Time" series, which follows the adventures of a time-traveling golden retriever named Ranger.
In this particular book, Ranger travels back in time to the Oregon Trail and becomes involved in a thrilling rescue mission. Kate Messner's storytelling and engaging characters have captivated young readers, making the "Ranger in Time" series a popular choice for children's literature.
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palmer hayden’s midsummer night in harlem is about:
Palmer Hayden's painting "Midsummer Night in Harlem" is a vibrant and colorful depiction of life in the Harlem neighborhood of New York City during the 1930s.
The painting features a crowded street scene with a group of African American musicians playing jazz and people dancing and socializing. At the center of the painting is a large bonfire, which provides a focal point for the festivities and serves as a symbol of the energy and vitality of Harlem's cultural scene. The painting captures the excitement and energy of the Harlem Renaissance, a period of artistic and intellectual growth that saw the emergence of a new generation of African American writers, musicians, and artists.
While the painting celebrates the cultural richness and diversity of Harlem, it also hints at the social and economic challenges facing the community. The cramped living conditions and poverty of many residents are suggested by the small tenement buildings in the background and the crowds of people gathered in the street. Overall, "Midsummer Night in Harlem" is a celebration of African American culture and a testament to the resilience and creativity of the people who lived through a challenging period in American history.
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this art movement mocked modern society and reasonable thought:
The art movement that mocked modern society and reasonable thought is Dadaism. Dadaism was an early 20th-century art movement that originated in Europe, particularly in Zurich, Switzerland, during World War I. It was characterized by its anti-establishment, anti-war, and anti-art sentiments, often using humor and absurdity to challenge traditional norms and values. Artists involved in the Dada movement sought to break away from the constraints of traditional artistic expression and critique the social, political, and cultural landscape of their time.
Dadaism was a movement that sought to reject reason and logic, using satire as a means of artistic expression. The artists associated with Dadaism used unconventional materials, such as found objects and everyday items, to create their works, often assembling them in bizarre and nonsensical ways. Dadaist works often incorporated text, collage, and sound, challenging the notion that art should be visually pleasing or beautiful. The movement had a profound impact on subsequent artistic movements, including Surrealism and Pop Art. The legacy of Dadaism can also be seen in contemporary art and cultural criticism, as it challenged the traditional boundaries between art and life, and between the artist and their audience. Dadaism remains a powerful critique of the social and political structures that continue to shape our world today.
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A ritornello form in a concerto is typically found in what movement(s)
a. second movement
b. first movement
c. first and third movements
d. all the movements
The ritornello form in a concerto is typically found in the first movement. This movement is known as the "allegro" or "fast" movement and serves as the main showcase for the soloist and the orchestra.
In this form, a recurring theme or melody, known as the ritornello, is introduced by the orchestra and then alternates with solo passages performed by the featured instrument or instruments.
The ritornello provides a structural framework, returning periodically throughout the movement, while the solo sections allow for virtuosic displays and improvisation by the soloist.
While it is possible to find elements of ritornello-like structures in other movements, it is most commonly associated with the first movement of a concerto.
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It is important for the mental health nurse to understand the goals of therapeutic communication. Which of the following would not be considered a goal of therapeutic communication?
a) Active listening
b) Guiding the client in problem-solving
c) Establishing rapport
d) Self-exploration of feelings by the nurse
As a mental health nurse, it is crucial to understand the goals of therapeutic communication. Therapeutic communication refers to the use of effective communication techniques to establish and maintain a therapeutic relationship between the nurse and the client.
The primary goals of therapeutic communication include building trust, establishing rapport, promoting self-expression, encouraging problem-solving, and improving the client's overall mental health and well-being.
Out of the options given, the goal that would not be considered a part of therapeutic communication is d) self-exploration of feelings by the nurse. While self-awareness is important for the nurse to provide effective care, it is not a goal of therapeutic communication.
The focus of therapeutic communication is on the client's thoughts, feelings, and emotions, and guiding them towards problem-solving and better mental health. Therefore, the correct answer would be d) self-exploration of feelings by the nurse.
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style of singing that emphasizes melodic lines against unobtrusive accompaniments is called?
The style of singing that emphasizes melodic lines against unobtrusive accompaniments is called melismatic singing.
Melismatic singing is a style that has been used for centuries in various musical traditions around the world. It involves elongating or embellishing individual syllables with a series of notes, creating a rich and expressive melody. This style of singing allows the vocalist to convey a wide range of emotions and moods, from joy and exuberance to sorrow and longing.
In many cultures, melismatic singing is associated with religious or spiritual music, as it is believed to convey a deeper sense of devotion or transcendence. However, melismatic singing is also used in secular music, such as pop and R&B. The use of melismatic singing can also be seen in classical music, where it is used to create intricate and complex vocal lines.
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There are many cave paintings and sculptures associated with Homo erectus.
True
False
False. Cave paintings and sculptures are not associated with Homo erectus, as they are believed to be a species that lived between 1.9 million and 140,000 years ago, before the development of complex art forms.
These forms of art are typically associated with Homo sapiens, who emerged around 300,000 years ago and began creating paintings and sculptures in caves around 40,000 years ago. Cave paintings and sculptures are primarily associated with Homo sapiens, not Homo erectus. Homo sapiens, our own species, created various forms of art, while there is no concrete evidence to suggest that Homo erectus produced such works.
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a rubber stamp is an example of what printmaking process?
A rubber stamp is an example of relief printmaking process.Relief printmaking involves carving away or removing material from a block, leaving the raised areas that will receive ink.
The inked raised surface is then pressed onto paper or another surface to create the printed image.
Rubber stamps are commonly used in various applications, including crafts and office use, where a design is carved or molded onto the rubber surface, and ink is applied to create repeated impressions on paper or other surfaces.
The raised design on the stamp acts as the printing surface, making it a form of relief printmaking.
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Which of the following describe George Crumb's Caballito negro?
a. sung in Spanish
b. atonal harmony
c. regular duple meter
d. disjunct melody
b. atonal harmony and d. disjunct melody describes George Crumb's Caballito negro.
George Crumb: George Crumb is an American composer known for his avant-garde and experimental approach to classical music. He has received numerous awards and accolades for his work, including the Pulitzer Prize for Music.
Caballito negro: Caballito negro is a vocal composition by George Crumb, written for soprano and amplified piano. The piece is based on a poem by Mexican poet Octavio Paz and is characterized by its unconventional use of sound and extended techniques.
Atonal harmony: Atonal harmony is a musical approach that avoids traditional tonal relationships between notes. Instead, atonal music is characterized by dissonance and lack of a clearly defined key or tonality. Caballito negro is an example of atonal music, with its use of dissonant chords and lack of a clear tonal center.
Disjunct melody: A disjunct melody is a melody that moves in large intervals or skips between notes, rather than moving in a more stepwise or conjunct manner. Caballito negro features a disjunct melody that moves in large intervals and leaps between notes, creating a sense of tension and unpredictability in the music.
Spanish language: Caballito negro is not sung in Spanish. The text of the piece is in English and is based on a translation of the original Spanish poem by Octavio Paz.
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from which tradition does the 12-bar blues emerge
The 12-bar blues emerges from the African American musical tradition, specifically from the Mississippi Delta region in the early 20th century.
It is a form of music that evolved from work songs, field hollers, and spirituals, and is characterized by a repetitive chord progression of 12 bars (hence the name). The 12-bar blues has since become a foundational element in various genres of music, including rock, jazz, and country. Its roots can be traced back to the early 20th century in the southern regions of the United States, particularly in African American communities.
The 12-bar blues form draws influences from various musical traditions, including African music, work songs, spirituals, and field hollers. These elements were combined with Western musical concepts and instruments to create the distinct structure and sound of the blues. Over time, the 12-bar blues became a foundational structure in blues music and has influenced numerous other genres as well.
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the technical term for ripping music tracks is digital audio extraction. t/f
The statement is true because digital audio extraction is the technical term used to describe the process of ripping music tracks from CDs onto a computer or other digital device.
This process involves using software to extract the digital audio data from the disc and convert it into a digital file format that can be played back on a variety of devices.
Digital audio extraction has become increasingly popular in recent years as more and more people choose to store their music collections digitally, rather than using physical CDs or other media.
Overall, digital audio extraction is a convenient and efficient way to manage and enjoy your music collection, and is an important part of modern digital music technology.
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dire straits is led by which singer-songwriter-guitarist?
Mark Knopfler's contributions to Dire Straits include being the singer, songwriter, and guitarist.
What's major contributions of Mark Knopfler to the sound and style of Dire Straits?Dire Straits was led by singer-songwriter-guitarist Mark Knopfler. He was not only the lead vocalist but also the primary songwriter and the driving force behind the band's distinctive sound.
Knopfler's distinctive guitar playing style and his songwriting abilities contributed significantly to Dire Straits' success and their signature blend of rock, blues, and jazz influences.
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What changes in the romantic opera were characteristic of the work Wagner?
-spectacular and massive staging
-unconventional chromatic harmony
-powerful voices with large orchestras
Changes in the Romantic opera that were characteristic of the work of Wagner included spectacular and massive staging, unconventional chromatic harmony, and powerful voices with large orchestras.
Richard Wagner, a German composer of the 19th century, made significant contributions to the development of Romantic opera. One of the notable changes he introduced was the concept of spectacular and massive staging. Wagner's operas featured elaborate sets, intricate stage designs, and innovative use of theatrical effects, aiming to create a total work of art (Gesamtkunstwerk) that combined music, drama, and visual elements.
Wagner also employed unconventional chromatic harmony, pushing the boundaries of tonality and exploring complex and dissonant harmonies. His use of chromaticism added emotional depth, intensity, and richness to his compositions, contributing to the expressive power of his operas.
Furthermore, Wagner's operas demanded powerful voices capable of tackling the dramatic and vocally challenging roles he created. He often wrote for larger orchestras to achieve a rich and full sound that could match the grandeur and scale of his operatic vision.
These characteristics of Wagner's work in Romantic opera had a profound influence on subsequent opera composers and helped shape the trajectory of opera as an art form in the 19th and 20th centuries.
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much of the artwork from africa is lost to us because
Much of the artwork from Africa is lost to us because of a variety of reasons, including the lack of written records, the ephemeral nature of certain materials used in the creation of the artwork, the effects of colonization, and the impact of Western art collectors on African art.
One reason why much of the artwork from Africa is lost to us is the lack of written records. Many of the cultures in Africa did not have a written language, so the only way to learn about their art is through oral tradition.
This means that much of the information about African art has been lost over time, as it was not recorded in a way that could be passed down through generations.
Another reason is the ephemeral nature of certain materials used in the creation of the artwork. For example, many sculptures and masks were made from wood, which can easily rot or be destroyed by insects.
Other materials used, such as raffia, feathers, or animal hides, are also subject to decay and may not survive for centuries.
The impact of colonization on African art also played a role in the loss of artwork. European colonizers often took African art back to Europe as a way of displaying their wealth and power.
This resulted in many pieces of artwork being removed from their original context, and in some cases, being lost or destroyed.
Finally, the impact of Western art collectors on African art has also contributed to the loss of artwork. Many collectors were primarily interested in acquiring pieces for their aesthetic value, rather than their cultural or historical significance.
This resulted in many pieces of African art being removed from their original context and sold to collectors, where they may no longer be accessible to the communities where they were originally created.
In summary, the loss of African artwork is due to a variety of factors, including the lack of written records, the ephemeral nature of certain materials, the impact of colonization, and the impact of Western art collectors.
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How would you describe the chords heard throughout this section?
a. regularly accented and consonant
b. irregularly accented and consonant
c. regularly accented and dissonant
d. irregular accented and dissonant
The chords heard throughout this section are best described as irregularly accented and consonant.
In this context, "irregularly accented" suggests that the emphasis or stress on the chords is not consistent or predictable. There may be unexpected accents or variations in the rhythmic placement of the chords. However, despite the irregular accents, the chords themselves maintain a sense of consonance, meaning they sound stable, harmonically pleasing, and relatively free from tension. This indicates that the chords are in agreement with the tonal center or key of the music, creating a sense of stability and resolution. The combination of irregular accents and consonant harmonies can contribute to a dynamic and expressive musical texture, adding interest and variety to the section while still maintaining a sense of harmonic coherence.
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a multimovement, programmatic work for orchestra is called a?
a. symphony b. symphonic poem c. program symphony d. concerto
A multimovement, programmatic work for orchestra is called a program symphony. The correct answer is option C.
This type of composition typically includes multiple movements, each with its own distinct theme or story, often inspired by a literary or visual work. The program symphony differs from a traditional symphony in that it has a specific program or storyline, whereas a symphony typically consists of purely instrumental music without a program or storyline. Another related genre is the symphonic poem, which is a one-movement orchestral piece that depicts a poem or literary work. However, it is important to note that the terms symphony, symphonic poem, and program symphony are often used interchangeably or in combination, and the exact definition can vary depending on the composer and time period. Hence the correct answer is option C.know more about orchestra here: https://brainly.com/question/24881214
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All of the following songs are about space travel except:
a. "39"
b. "Rocket Man"
c. "(Bang a Gong) Get It On"
d. "Space Oddity"
The correct answer is c. "(Bang a Gong) Get It On."The songs "39" by Queen, "Rocket Man" by Elton John, and "Space Oddity" by David Bowie are all about space travel or have themes related to space exploration.
"39" tells the story of space travelers who embark on a year-long mission and experience time dilation due to the effects of relativity.
"Rocket Man" portrays an astronaut's longing for connection and the isolation felt in space. "Space Oddity" follows the fictional astronaut Major Tom and his journey in space.
On the other hand, "(Bang a Gong) Get It On" by T. Rex is a rock song about love, relationships, and desire. It does not have any direct connection to space travel or exploration.
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using specific : using specific visual evidence from at least two of the works, explain at least two similarities or differences in how each work accommodated worship.
The similarities in worship accommodation should be visible in the utilization of engineering components and the position of special stepped areas. Differences can be seen in the scale and style of buildings.
Two works that accommodate worship can measure up to perceive how they are comparative or different in obliging love. For instance, two holy places may both utilize structural components like segments, curves, and vaults to make a feeling of glory and gravity, advancing a feeling of stunningness and veneration for love.
Both churches may likewise put their special raised areas at the front of the structure, confronting the gathering, as a point of convergence for love. Be that as it may, the scale and style of the structures might contrast, with one being an excellent house of prayer with perplexing figures and stained glass windows.
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using specific : using specific visual evidence from at least two of the works, explain at least two similarities or differences in how each work accommodated worship.